51.   Again, as we will see, this kind of manoeuvre plays an essential part in the Roslin cloning procedure.

52.   Again, we see the surprisingly pervasive role that presumptions of contextual appropriateness play in successful communication.

53.   Again, we were lucky enough to see the late, great Michel Petrucciani play jazz piano at the Festival Hall.

54.   Against a panoramic backdrop, we see orphaned P.K. growing up in a hostile environment.

55.   Agnes says that she would be very glad to see him again.

56.   Ahead of her - quite a way in the distance - she could see some birds pecking at crumbs on the pavement.

57.   Ahead of them, they could see the Big Wheel turning against a sky streaked with red and grey.

58.   Ahead of us we could see our ridge, standing clear of the cloud, brushed purple in the strange early light.

59.   Ahead of us we could see the lights of the city.

60.   Aikman reportedly was incensed at the accusation and talked to several black players to see whether they had a problem with him.